philip catherine

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bio en español

Philip Catherine has been on the forefront of the European jazz scene since the sixties. His work great artists like Chet Baker, Larry Coryell, Tom Harrell, NHOP, Stéphane Grappelli, Charles Mingus, his unique approach and sound, his dedication to music have been important and influential.

Philip Catherine was born in London in 1942. Being from a musical family (his grandfather was first violin with the London Symphony Orchestra), he developed a musical ear from an early age. He took up the guitar after having discovered Brassens and Django Reinhardt, and started listening to all the great jazzmen of the period. Very soon he had the opportunity to meet some of them, and often accompanied them when they played in Belgium where his family had moved to by then.

At the age of 18 he toured Europe with Lou Bennett and in 1971 Jean-Luc Ponty asked him to join his quintet. In 1971 he made his first record under his name, “Stream”, followed in 1974-75 by “September Man” and “Guitars”. Jazz amateurs the world over discovered not only a brilliant guitarist, but also a talented composer: themes like “Homecomings” and “Nairam” have become famous.

He has played in the most prestigious concert halls, from the Berlin Philharmonic to the Carnegie Hall, from the Concertgebouw in Amsterdam to the Olympia and Salle Pleyel in Paris and the Palais des Beaux-Arts of Brussels, but still loves to play in jazz clubs from time to time, because of the direct communication with the audience.

Philip Catherine has received many awards, among others the “BIRD” Prize (90), together with Stan Getz, at the North Sea Festival, the “Django D’Or” (98) in Paris for ‘Best European Jazz Artist’, the ZAMU ‘Lifetime Achievement Award’ (2001) and ‘Best Musician’ (2002).
In 2002 he received the title “Maestro Honoris Causa” from the Antwerp Conservatory (title which has been given previous years to reputed artists like Jos van Immerseel, Sigiswald Kuijken and Toots Thielemans).

In 1997 Philip Catherine signed with Dreyfus Records. His first album on this label – simply called “Live” (being the very first live recording of his career) has been highly acclaimed by the international press (4½-star in Down Beat, “best album of the year” in Jazz Nu ; etc..).

It was followed in ‘98 by “Guitar Groove” (with Jim Beard on piano and keyboards, Alphonso Johnson on bass and Rodney Holmes on drums), which features twelve superb compositions by Philip and a beautiful rendering of ‘Stardust’. The album got impressive radio airplay in the US and – very exceptional for a European jazz cd – it broke the top 20 of the Gavin Jazz Chart where it stayed for several months.

The Cd “Blue Prince” (nov 2000) received very enthusiastic acclaim from the press: “Record of the Year”, in ‘JazzMan’ and was selected among best album of the year in many magazines and newspapers.

“Summer Night” (Dreyfus, 2002) – in trio/quartet with Philippe Aerts on bass, Joost van Schaik on drums, and Bert Joris on trumpet – contains six new compositions, a beautiful re-take of ‘Janet’ and six standards. It shows again that Philip Catherine may be counted among the great jazz artists of our time.

The success of his appearances with some leading European big bands, and in recent years also more frequently with chamber orchestra’s, have revealed that his lyrical compositions are particularly appropriate for arrangements for larger ensembles.
This lead to the collaboration with the Brussels Jazz Orchestra (BJO), and in april 2005 Philip Catherine’ album “Meeting Colours” (Dreyfus) was released, with superb arrangements of his music for guitar and big band by trumpet player and arranger Bert Joris. Recorded in January together with the BJO, who are the favorite band of great musicians like Kenny Werner, Maria Schneider, and who were the first european band to be elected in the 2004 Downbeat Critics Poll.

In 2006 Philip Catherine participated on the album “Passage” of the group Soledad, dedicated to the music of composer Frédéric Devreese (among others famous for his filmscores for André Delvaux, Hankar, etc) and released on EMI/Virgin Classics, which received great acclaim in the press.

That same year he also gave some concerts in duo with the french guitarist Sylvain Luc. It turned out to be a magic encounter and the two artists decided to work together on a regular basis.

Philip Catherine’s regular touring band remains his Trio which is very much appreciated by any kind of public (the jazz fans, the young ‘standing audiences’, the more classical public, etc..), a formula he particularly likes as it gives him the rhythmic support as well as freedom to unfold his wide palette of musical styles – from that irresistible groovy rock sound to the broad lyrical phrases of which he is a master.

In 2007, parallel to his tours with his trio, quartet and collaborations with Soledad, Sylvain Luc, sympyhonic orchestra’s etcetera, Philip Catherine prepared a new guitar solo program. The beauty of his compositions really stands out in these arrangements. Philip, surrounded by his guitars and his pedal-rack, fascinates his audience and gets great response.

His latest cd “Guitars Two”, the first solo album of his carreer, was released in 2008 on Dreyfus Jazz and is hailed in the international press as one of his best albums.

2010 saw the release of an exceptional “Concert in Capreton” featuring Enrico Pieranunzi, Hein Van de Geyn and Joe LaBarbera on Dreyfus Jazz. The next album “Plays Cole Porter” has been acclaimed as one of Philip’s best: entirely devoted to the compositions of Porter, with all musical arrangements by Catherine, this CD is considered by many as a true masterpiece, created by an Artist at the peak of his creativity. Philip’s last album so far is “Côté Jardin”, released by Chalenge Records in 2012.


as a leader :

* STREAM (’70) Warner 46049
* SEPTEMBER MAN (‘75) Atlantic 40 562
* GUITARS (’75) Atlantic 50 193
* BABEL (80) Electra 52 244
* END OF AUGUST (’82) WeA K 58 450-
*TRANSPARENCE (’86) Inakustik 8701CD
* SEPTEMBER SKY (’88) September 5106CD
* OSCAR (’88) Igloo 060CD
* I REMEMBER YOU (’90) Criss Cross
* MOODS, vol.I (’92) Criss Cross 1060
* MOODS, vol.II Criss Cross 1061CD
* Philip Catherine “LIVE” (97) Dreyfus Jazz FDM 36587
* GUITAR GROOVE (98) Dreyfus Jazz FDM 36599
* BLUE PRINCE (2000) Dreyfus Jazz FDM36614
* SUMMER NIGHT (2002) Dreyfus Jazz FDM 36637
* MEETING COLOURS (4/2005) Dreyfus Jazz FDM 36675
* GUITARS TWO (1/2008) Dreyfus Jazz FDM 46050
* CONCERT IN CAPRETON (2010) Dreyfus Jazz FDM 369412
* PLAYS COLE PORTER (2011) Challenge CHR 70166
* CÔTÉ JARDIN (2012) Challenge CHR 70178

and with :

Chet BAKER : “Baker/Catherine/ Rassinfosse” Igloo 034CD
“Chet’s Choice” Criss Cross 1016 CD
“Strollin” Enja 5005CD
“In Bologna, Live” Dreyfus 191 133-2

Stéphane GRAPPELLI:“ Young Django” MPS 15510
“Live 1992” Birdology 517392-2
“Grappelli/Ponty/Catherine” America 6139

Larry CORYELL : “Twin House” Atlantic 50 342
“Splendid” Electra 52 986

N.H.O. PEDERSEN : “The Viking” Pablo 2310 894
“Art of the Duo” Enja8016-2

Dexter GORDON: “Something Different” Steeple Chase Scs 1136

Charlie MINGUS : “Three or Four Shades of Blue” Atlantic SD 1700

Charlie MARIANO/Jasper Van ‘t Hof : “Sleep my Love” Contemp LC 6055CD
MARIANO/Van ‘t Hof /Don ALIAS : “Operanoia” (’96) Intuition 3158 2

Didier LOCKWOOD/Chr. ESCOUDE : “Trio” JMS 031

Carla BLEY/Mike MANTLER : More Movies” Watt 10A/1A

Michaël GIBBS “The Only Chrome Waterfall Orch” Bronze BR 2012

Barney WILEN/Palle DANIELSSON :“Sanctuary” IDA 029CD

Jacques PELZER “Tribute to the Band Box” Igloo 106

Emmanuel BEX/Aldo ROMANO : “Trios”

SOLEDAD “Passage – the music of F. Devreese” EMI/Virgin Classics

and many others ….