benny green
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Born in New York in 1963, Benny Green grew up in Berkeley, California, and began classical piano studies at the age of seven. Influenced by his father, a tenor saxophonist, his attention soon turned into Jazz: I began trying to improvise on the piano, imitating the records I’d been hearing from my father’s collection, which included a lot of Monk and Bird… it was a gradual process of teaching myself. He played in school bands before hooking up with Jazz singer Fay Carroll: That was good training for me in terms of accompaniment and learning about the blues, and she also gave me a chance to play trio, opening for her every night. As a teenager he worked with Eddie Henderson, and got some big band experience with a 12-piece group led by Chuck Israels. After his graduation, Benny freelanced around the bay area for a year, and then moved to New York in the spring of 1982.
Back in the Big Apple, Benny met veteran pianist Walter Bishop Jr.: I began studying with him and he helped point me in the direction of developing my own sound, and he also encouraged me check out and study the whole scope of Jazz piano history, so I could get a sense of how I was to fit in. After a short stint with Bobby Watson, Green worked with Betty Carter between 1983 and 1987, the year he joined Art Blakey’s band. He remained a Jazz Messenger through late 1989, at which point he began working with Freddie Hubbard’s quintet. In 1993 Oscar Peterson chose Benny as the first recipient of the City of Toronto’s Glen Gould International Protégé Prize in Music. That year, Green replaced Gene Harris in Ray Brown’s Trio, working with the veteran bass player until 1997. From 1997 on, Benny resumed his freelance career, leading his own trios, accompanying singers like Diana Krall, and concentrating in his solo piano performances.
His recording career, which includes over one hundred (!) sessions, is very impressive: amongst many others, he has recorded as a sideman with Betty Carter (including Grammy award winner Look What I Got), Art Blakey & the Jazz Messengers, Freddie Hubbard, Bobby Watson, Milt Jackson, Diana Krall, and he is particularly featured in Ray Brown’s trio series of CD’s for Telarc: Bass Face (1993), Don’t get Sassy (1994), Some of my best friends … (1994), Seven Steps to Heaven (1995), Super Bass (1996) and Live at Sculler’s (1996). As a leader of his own groups, Benny’s recording career began with two albums for the Dutch label Criss Cross: Prelude (1988) and In this direction (1989). In 1990 Green started recording for Blue Note: for this classic label he has done Lineage (1990), Greens (1991), Testifiyin’ (1992), That’s right! (1993), The Place to be (1994), Kaleidoscope (1997) and These are soulful days (1999). He has also recorded Funky (1997) for Toshiba records. The same year he recorded for Telark a duo session with Oscar Peterson, Oscar & Benny. Other recordings for Telarc as a leader include Naturally, in the market since the Spring of 2000 and Green Blues, his first solo piano recording, published in 2001. He has also released Jazz at the Bistro (2003) and Blue Bird (2004) in a duo format with his old colleague Russell Malone.
A perpetual student of the history of Jazz piano, Benny Green mentions Erroll Garner, Ahmad Jamal, Phineas Newborn, Bud Powell and Oscar Peterson as some of his main influences. His approach to Jazz can be resumed in his own words: … for myself and a lot of musicians I admire, the main focus is to just swing and have fun, and share those feelings with the audience … and, if I’m able to convey that, then I feel like I’m doing something positive.